Tag Archives: Improvisation

“Melodic Expressions: The Art of the Line” by Jon Maclennan

Today, there are endless ways to learn about the guitar.  From traditional teachers, to YouTube, to books, to good old fashioned trial and error, there are so many ways to go about your journey towards guitar mastery and musical nirvana.  But what if there was a new medium that combined the best of all these methods?

My good friend, fellow UCLA alumni, and passionate guitar player Jon Maclennan has just released an iBook titled, “Melodic Expressions: The Art of the Line,” designed specifically for the iPad.  What is an iBook?  It’s a “multi-touch textbook,” an interactive electronic book that integrates audio, video, photos, graphics and more, bringing content to life in ways previously unimaginable.  It’s everything you’d get from a book, and then some.  Plus, it’s digital, so you can store thousands of iBooks in a single iPad, while saving the trees!

Like me, Jon is an avid fan of guitar great Carl Verheyen, and Carl’s approach to improvisation.  In short, this school of playing is based on “lines,” instead of scales and arpeggios.  So often guitarists become trapped by scale shapes and boxes that ultimately inhibit their melodic creativity.  With this new alternative approach, the player practices “lines,” or melodic phrases, that can be used in improvisation.  In the same way a player would use a scale shape or an arpeggio when improvising, they can use these “lines” to create far more interesting and creative phrases, and ultimately more personalized expression.

Jon’s book is divided into three sections – Major, Minor and Dominant expressions.  Each section is filled with various licks, corresponding to the given harmony, that range from Rock to Blues to Jazz and even Country.  With the interactive iBook medium, each lick has multiple audio samples, and the option for you to plug into your own iPad and play along!  There’s also a “general tips” section, where Jon will teach you  how to create your own melodic expression and cultivate your own personal harmonic vocabulary.  Very cool!

Ultimately, I find this approach to improvisation and general music making to be the most fun and effective.  Although it’s important to familiarize oneself with scales and arpeggios in order to understand music in a theoretical way, these tools should not become crutches in developing your melodic voice and improvisational style.  It’s much more fun to create exciting lines and phrases that express your personal style and sound like you.  Although at first it may be difficult to write your own licks, books like Jon’s are a great place to learn the craft and gather inspiration.  So check out Melodic Expressions: The Art of the Line” today on iTunes and take the first step on your journey towards developing your own personal melodic sound!

Check out this promo video on “Melodic Expression: The Art of the Line” for more info, and be sure to check out Jon Maclennan’s website for more about him and his music.

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Lollar Charlie Christian Pick Up

In the world of aftermarket Pick Ups, Lollar is a breath of fresh air.  Started by expert guitar luthier, Jason Lollar, Lollar specializes in boutique PUs for guitar, bass, and steel guitar.  Unlike most aftermarket PU companies, which are geared toward high output, modern tones, Lollar makes classic, vintage-styled PUs – using modern technology to achieve classic tonality.  Their product range is probably the most unusual and diverse of any PU company, making Stratocaster, Telecaster, Humbucker, P-90,  Jazzmaster, Charlie Christian, and “Miscellaneous” PUs.  Within these categories are many classics, like the Stratocaster Vintage Blackface, Dog Ear P-90, ’52 Tele Neck PU, and special PUs inspired by Peter Green, Johnny Smith, and Charlie Christian.  Jason Lollar also makes some unique, one of a kind PUs, like the Chicago Steel, designed for slide playing, Single-coil within a Humbucker, and “the Broiler,” which has a bell-like tone a la John Lennon.  Ultimately, Lollar is constantly pushing the boundaries of traditional PUs, creating exciting and new inventions to compliment any playing style and achieve any tone.

For those of you who don’t know Charlie Christian, he is one of the original guitar legends.  Christian was a key developer of Bebop, the language of improvisation, guitar technique, and was one of the very first people ever to take an amplified guitar solo!  He was most well-known as a member of Benny Goodman’s Sextet, one of the first integrated bands, but has become legendary for his influence at Minton’s Playhouse in Harlem – the birthplace of Bebop.  Here, in after hours jam sessions, Christian would exchange choruses with Charlie Parker, Dizzy Gillespie, Thelonius Monk, and other Bebop greats, as they developed this new style of Jazz.  Christian’s improvisational style is his greatest legacy.  Often said to be “horn-like,” Christian was one of the first guitarists to play single-note solos instead of chords, emulating the solos of a horn.  Through his single note improvisational style, Christian invented many phrases, licks, and ideas that would become building blocks for the language of Bebop.  His influence can be most strongly heard in Wes Montgomery, who learned to play by transcribing Christian’s solos.  Adding to his legend, Charlie Christian died at age 25 from tuberculosis, leaving an incredible legacy behind.

The style of the early pick ups used in the first electric guitars have become known as Charlie Christian PUs.  Preceding Humbucking technology, these PUs were single coils, but had a different sound than the modern-day single coils you would find in a Strat.  They had a depth and richness more akin to a P-90, and a unique fullness that set them apart from other PUs.  Today, Lollar makes Charlie Christian PUs designed to be housed in a traditional arch-top guitar, but their most popular CC model is designed for neck position in a Telecaster.  This is the PU I have put in my Telecaster, and it sounds amazing.  Putting a Lollar CC in a Tele achieves a deep, bluesy tone a la Ted Greene, Keith Richards, and even Jimi Hendrix.  Although you lose some of the “spank” associated with the Telecaster, you gain a new dimension of tone that is sweeter and richer than the conventional Telecaster sound.  I originally used this PU to adapt my Tele for a Jazz setting, but as I have experimented more, I find it’s a perfect sound for Blues, Rock, Pop, and Folk-Rock.  It makes my Tele sound more like a Strat, but even more harmonically rich.  The only downside was the shape of this PU required my local shop to cut my pick guard, an operation they weren’t too familiar with.  However, they learned, and did just fine, leaving me with a unique and great sounding modification to my Telecaster.

So if you’re interested in after market pick ups that will help your guitar, and your tone, stand out from the crowd, check out Lollar Pick Ups!

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