Tag Archives: Justin Scott Lucas

1975 Rickenbacker 4001 Bass

Although this is a guitar-oriented blog, it’s important to show love to our four string brethren.  In fact, I’m sure many of us dabble in bass, or at least consider ourselves decent bassists (it’s just a guitar without the top two strings rights?) given it’s similarity to the guitar.  For me, bass holds a special place in my heart – for many a year it was my primary instrument, before I picked up the guitar.


During my “bass period” I played in a multitude of various bands, but focused mostly on Rock n’ Roll.  I had a small arsenal of basses – a Fender Jazz Bass and a Musicman Stingray – but was too young to be a serious connoisseur or collector.  My Dad’s good friend Steve lived up the street, and every time we’d go to his house I’d be drawn to this funky looking bass in the corner – his Rickenbacker.  Steve is an avid music enthusiast and hobbyist who has been part of all kinds of bands throughout his life, and his Rickenbacker was some of the last remaining evidence of his younger musical endeavors.

Originally, Steve was a keyboard player.  He had some wild prog-rock set up that most likely emulated some of his favorites of the day – Emerson, Lake and Palmer, Blue Oyster Cult, Yes, Boston, etc.  At some point, I believe Steve wanted to join a particular band – a group that needed a bass player, not a keyboardist.  In a common twist of fate that has led so many musicians to their true instruments, Steve traded his keyboard rig for the Rickenbacker and an amp.  Now I’m not sure if this was Steve’s true calling (and I have no more information on this particular group) but regardless – Steve acquired this beautiful bass that many years later, another young musician was admiring.

Steve was always a huge supporter of my music – from jam sessions with him and my Dad to my own bands, he was always a positive presence.  So one lucky Christmas day (or maybe it was my birthday) Steve and my Dad decided it was time to bestow the great power of the Rickenbacker upon me.  Alas, I was the proud owner of one of the coolest and most iconic instruments of all time.

This particular Rickenbacker is a 4001 model that was made in January of 1975 (indicated by the serial number “OA499” on the jack plate).  It has all of the classic Rickenbacker features – neck-through construction, triangle inlays, wave-crest headstock, and iconic body shape.  But beyond its aesthetic, there are some really unique features of the Rickenbacker.  Firstly, Rickenbackers have dual truss rods as opposed to the standard single truss rod.  This allows greater control of neck concave, specific to each side of the neck.  Second, Rickenbackers are famous for their stereo output jack.  Yes, as opposed to a single mono output jack, as seen on most electric instruments, Rickenbacker has two outputs, giving the player an option for a stereo/dual-mono sound.  As written on the jack plate, one output is “standard” and together they create the “Rick-o-sound.”  Basically, this makes each output jack correspond with one pick up, so with two cables  you can run them into separate amps or into the Rick-o-sound DI box that allows you to blend the two.  There are many varying opinions about the practicality of this option, but nevertheless, it makes the Rick unique.  Lastly, the neck-through construction gives the Rickenbacker its instantly identifiable tone that has become associated with the likes Paul McCartney, Geddy Lee, Lemmy, and many others.  The 4001 is a truly innovative and unique instrument that has undoubtedly earned its placed in music history.

So overall, this is a very special, classic axe that I am so grateful to have in my collection.  Although now I mainly play the six string, I always come back to my roots and slap the bass with the Rick.  From some random shop, to Steve’s prog-rock bands, to my own musical escapades, this bass has seen quite a bit in its almost 40 year life span.  Vintage instruments are special not only for their tone, but for their history, history that can give a particular instrument distinct tonanilty, unachievable from any physical material – tone only achievable through its own unique life.  I can only imagine what this bass will have to say in another 50 years!

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“Melodic Expressions: The Art of the Line” by Jon Maclennan

Today, there are endless ways to learn about the guitar.  From traditional teachers, to YouTube, to books, to good old fashioned trial and error, there are so many ways to go about your journey towards guitar mastery and musical nirvana.  But what if there was a new medium that combined the best of all these methods?

My good friend, fellow UCLA alumni, and passionate guitar player Jon Maclennan has just released an iBook titled, “Melodic Expressions: The Art of the Line,” designed specifically for the iPad.  What is an iBook?  It’s a “multi-touch textbook,” an interactive electronic book that integrates audio, video, photos, graphics and more, bringing content to life in ways previously unimaginable.  It’s everything you’d get from a book, and then some.  Plus, it’s digital, so you can store thousands of iBooks in a single iPad, while saving the trees!

Like me, Jon is an avid fan of guitar great Carl Verheyen, and Carl’s approach to improvisation.  In short, this school of playing is based on “lines,” instead of scales and arpeggios.  So often guitarists become trapped by scale shapes and boxes that ultimately inhibit their melodic creativity.  With this new alternative approach, the player practices “lines,” or melodic phrases, that can be used in improvisation.  In the same way a player would use a scale shape or an arpeggio when improvising, they can use these “lines” to create far more interesting and creative phrases, and ultimately more personalized expression.

Jon’s book is divided into three sections – Major, Minor and Dominant expressions.  Each section is filled with various licks, corresponding to the given harmony, that range from Rock to Blues to Jazz and even Country.  With the interactive iBook medium, each lick has multiple audio samples, and the option for you to plug into your own iPad and play along!  There’s also a “general tips” section, where Jon will teach you  how to create your own melodic expression and cultivate your own personal harmonic vocabulary.  Very cool!

Ultimately, I find this approach to improvisation and general music making to be the most fun and effective.  Although it’s important to familiarize oneself with scales and arpeggios in order to understand music in a theoretical way, these tools should not become crutches in developing your melodic voice and improvisational style.  It’s much more fun to create exciting lines and phrases that express your personal style and sound like you.  Although at first it may be difficult to write your own licks, books like Jon’s are a great place to learn the craft and gather inspiration.  So check out Melodic Expressions: The Art of the Line” today on iTunes and take the first step on your journey towards developing your own personal melodic sound!

Check out this promo video on “Melodic Expression: The Art of the Line” for more info, and be sure to check out Jon Maclennan’s website for more about him and his music.

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The Guitar Connection – Venice, CA

Serious guitar collectors are a breed all their own.  Often afflicted by a serious case of G.A.S.  (Gear Acquisition Syndrome), many enthusiasts have gathered collections that could easily be featured on an episode of “Hoarders.”  Constantly buying and selling, always looking for the next piece of equipment, begging you, “no matter what, do not let me buy another guitar,” every guitarist, and their significant other, can relate to the never-ending cycle of guitar collecting.  At The Guitar Connection in Venice, CA, one of the most bizarre and interesting guitar stores in the world, owner Mike Van Voorhees has made his own personal collection the inventory of his small business.

The Guitar Connection is a unique surprise on the up and coming Venice street of Rose Avenue.  Outside, you are instantly drawn to the pleasing vintage aesthetic, which summons you to peek inside and see what gems are hidden within its walls.  After you’ve been buzzed in by Mike, you enter – well, his living room – which has been transformed into the guitar showroom of the Guitar Connection.  See, what makes this shop truly original is that it is half-house-half-store, and everything for sale is part of Mike’s personal collection.

Once you’ve been let in, Mike watches you browse from his kitchen doorway, asking questions and adding personally commentary about certain items.  Although, and I’m sure he would agree, he is not the greatest salesmen (and his odd antics may scare off many customers), it is evident that this store and its collection are his life, and things he values very dearly.  Every instrument and amp has its own history, which Mike will gladly share with you.  A mixture of high quality and lesser instruments, The Guitar Connection inventory has all the peaks and troughs of any life long player’s collection.

Exclusively used and vintage instruments, some highlights include two Gibson “Black Beauty “Les Pauls, some rare Gibson Hollow Bodies, an original 1966 Fender Bassman amp, and some nice vintage Stratocasters – all set up and maintained by Mike.  There also some vintage 80s shredders, like Hamer and Ibanez, and a bunch of novelty curve balls that you are unlikely to see elsewhere.  Mike also buys used instruments, rents, and does repairs and set ups.  And although I can’t speak to his repair quality or expertise, I am sure he is more than capable of fixing up any axe, and has all of the knowledge and passion acquired by a life long enthusiast.

So for a unique, one of a kind guitar shop, be sure to check out The Guitar Connection @ 633 Rose Ave. Venice, CA 90291.

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Vreny Van Elslande – Are you ready to Rock?

Not enough good things can be said about Vreny.  One of the best kept secrets of Los Angeles, Vreny is arguably the most professional guitar teacher in the world.  Not only that, but he is an extremely charismatic person with many diverse interests, which all combine to make him the ultimate guitar teacher.

Born and raised in Belgium, Vreny has an amazing list of credentials.  After a year in the military, Vreny first attended the Academy of Music and Word in Ypres, Belgium, completing a 10-year study on classical guitar and composition in just 7.  Following this, Vreny graduated Summa Cum Laude from the Berklee College of Music, earning a B.M. in Jazz Performance and a B.M. in Music Production & Engineering.  Since then, Vreny has lived and worked in Los Angeles as a free-lance guitarist and producer, but mainly as a teacher.  Vreny’s goal is to “make the world an even more fun place to live in, by sharing the love for music through education.”  Outside of musical academia, Vreny is also an avid psychology enthusiast, speaks five languages, and is a general intellectual, making him an expert on the art of learning.

Personally, as a guitarist and an individual, I owe a lot to Vreny.  Over 2 1/2 years, he took my playing to new heights, giving me an incredibly deep knowledge of the mechanics of music and the guitar, and a great confidence in my ability.  But more than anything, Vreny taught me how to learn.  He pushed my ability so much further than I even thought possible, and showed me, through my own progress, the way in which our brains function.  There were many times when I laughed at the impossible difficulty of a task he assigned, when only weeks later, I found it simple.  And this is not because of my ability, but because of Vreny’s structured teaching style that maximizes results and compliments the brain’s natural process of learning.  Vreny showed me how to target a goal, create a plan of attack, and reach it – a skill that I have since applied to every area of my life.  I could go on for ages, but in short, Vreny is without a doubt the most professional and effective teacher I have ever had.  If you want to learn about a certain musical style, music theory, engineering, life, or just improve on guitar, contacting Vreny is the best way to realize your goal.

So check out Vreny’s website, Zot Zin Guitar Lessons, for more information. He does private lessons, group lessons, and webcam lessons, so get in touch with him now – I guarantee you will not regret it!

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Power, Stand By, Riffs of Wisdom

Hello world, and welcome to my blog, “Riffs of Wisdom.”  As a guitarist, and general music enthusiast, I have spent, and continue to spend, lots of time honing my abilities, checking out other players, testing gear, searching for tone, reading books, watching videos and doing just about anything else that helps me forge ahead on the journey to musical nirvana.  Along the way I have acquired many tid-bits of knowledge, Riffs of Wisdom, per se, that I think would greatly help my fellow axe-slingers on their own journeys.

So please comment, email me, ask questions, and subscribe to this blog for all the second hand knowledge and experiences I have to offer the modern day guitar enthusiast!

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