Tag Archives: Los Angeles

1975 Rickenbacker 4001 Bass

Although this is a guitar-oriented blog, it’s important to show love to our four string brethren.  In fact, I’m sure many of us dabble in bass, or at least consider ourselves decent bassists (it’s just a guitar without the top two strings rights?) given it’s similarity to the guitar.  For me, bass holds a special place in my heart – for many a year it was my primary instrument, before I picked up the guitar.


During my “bass period” I played in a multitude of various bands, but focused mostly on Rock n’ Roll.  I had a small arsenal of basses – a Fender Jazz Bass and a Musicman Stingray – but was too young to be a serious connoisseur or collector.  My Dad’s good friend Steve lived up the street, and every time we’d go to his house I’d be drawn to this funky looking bass in the corner – his Rickenbacker.  Steve is an avid music enthusiast and hobbyist who has been part of all kinds of bands throughout his life, and his Rickenbacker was some of the last remaining evidence of his younger musical endeavors.

Originally, Steve was a keyboard player.  He had some wild prog-rock set up that most likely emulated some of his favorites of the day – Emerson, Lake and Palmer, Blue Oyster Cult, Yes, Boston, etc.  At some point, I believe Steve wanted to join a particular band – a group that needed a bass player, not a keyboardist.  In a common twist of fate that has led so many musicians to their true instruments, Steve traded his keyboard rig for the Rickenbacker and an amp.  Now I’m not sure if this was Steve’s true calling (and I have no more information on this particular group) but regardless – Steve acquired this beautiful bass that many years later, another young musician was admiring.

Steve was always a huge supporter of my music – from jam sessions with him and my Dad to my own bands, he was always a positive presence.  So one lucky Christmas day (or maybe it was my birthday) Steve and my Dad decided it was time to bestow the great power of the Rickenbacker upon me.  Alas, I was the proud owner of one of the coolest and most iconic instruments of all time.

This particular Rickenbacker is a 4001 model that was made in January of 1975 (indicated by the serial number “OA499” on the jack plate).  It has all of the classic Rickenbacker features – neck-through construction, triangle inlays, wave-crest headstock, and iconic body shape.  But beyond its aesthetic, there are some really unique features of the Rickenbacker.  Firstly, Rickenbackers have dual truss rods as opposed to the standard single truss rod.  This allows greater control of neck concave, specific to each side of the neck.  Second, Rickenbackers are famous for their stereo output jack.  Yes, as opposed to a single mono output jack, as seen on most electric instruments, Rickenbacker has two outputs, giving the player an option for a stereo/dual-mono sound.  As written on the jack plate, one output is “standard” and together they create the “Rick-o-sound.”  Basically, this makes each output jack correspond with one pick up, so with two cables  you can run them into separate amps or into the Rick-o-sound DI box that allows you to blend the two.  There are many varying opinions about the practicality of this option, but nevertheless, it makes the Rick unique.  Lastly, the neck-through construction gives the Rickenbacker its instantly identifiable tone that has become associated with the likes Paul McCartney, Geddy Lee, Lemmy, and many others.  The 4001 is a truly innovative and unique instrument that has undoubtedly earned its placed in music history.

So overall, this is a very special, classic axe that I am so grateful to have in my collection.  Although now I mainly play the six string, I always come back to my roots and slap the bass with the Rick.  From some random shop, to Steve’s prog-rock bands, to my own musical escapades, this bass has seen quite a bit in its almost 40 year life span.  Vintage instruments are special not only for their tone, but for their history, history that can give a particular instrument distinct tonanilty, unachievable from any physical material – tone only achievable through its own unique life.  I can only imagine what this bass will have to say in another 50 years!

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“Melodic Expressions: The Art of the Line” by Jon Maclennan

Today, there are endless ways to learn about the guitar.  From traditional teachers, to YouTube, to books, to good old fashioned trial and error, there are so many ways to go about your journey towards guitar mastery and musical nirvana.  But what if there was a new medium that combined the best of all these methods?

My good friend, fellow UCLA alumni, and passionate guitar player Jon Maclennan has just released an iBook titled, “Melodic Expressions: The Art of the Line,” designed specifically for the iPad.  What is an iBook?  It’s a “multi-touch textbook,” an interactive electronic book that integrates audio, video, photos, graphics and more, bringing content to life in ways previously unimaginable.  It’s everything you’d get from a book, and then some.  Plus, it’s digital, so you can store thousands of iBooks in a single iPad, while saving the trees!

Like me, Jon is an avid fan of guitar great Carl Verheyen, and Carl’s approach to improvisation.  In short, this school of playing is based on “lines,” instead of scales and arpeggios.  So often guitarists become trapped by scale shapes and boxes that ultimately inhibit their melodic creativity.  With this new alternative approach, the player practices “lines,” or melodic phrases, that can be used in improvisation.  In the same way a player would use a scale shape or an arpeggio when improvising, they can use these “lines” to create far more interesting and creative phrases, and ultimately more personalized expression.

Jon’s book is divided into three sections – Major, Minor and Dominant expressions.  Each section is filled with various licks, corresponding to the given harmony, that range from Rock to Blues to Jazz and even Country.  With the interactive iBook medium, each lick has multiple audio samples, and the option for you to plug into your own iPad and play along!  There’s also a “general tips” section, where Jon will teach you  how to create your own melodic expression and cultivate your own personal harmonic vocabulary.  Very cool!

Ultimately, I find this approach to improvisation and general music making to be the most fun and effective.  Although it’s important to familiarize oneself with scales and arpeggios in order to understand music in a theoretical way, these tools should not become crutches in developing your melodic voice and improvisational style.  It’s much more fun to create exciting lines and phrases that express your personal style and sound like you.  Although at first it may be difficult to write your own licks, books like Jon’s are a great place to learn the craft and gather inspiration.  So check out Melodic Expressions: The Art of the Line” today on iTunes and take the first step on your journey towards developing your own personal melodic sound!

Check out this promo video on “Melodic Expression: The Art of the Line” for more info, and be sure to check out Jon Maclennan’s website for more about him and his music.

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The Guitar Connection – Venice, CA

Serious guitar collectors are a breed all their own.  Often afflicted by a serious case of G.A.S.  (Gear Acquisition Syndrome), many enthusiasts have gathered collections that could easily be featured on an episode of “Hoarders.”  Constantly buying and selling, always looking for the next piece of equipment, begging you, “no matter what, do not let me buy another guitar,” every guitarist, and their significant other, can relate to the never-ending cycle of guitar collecting.  At The Guitar Connection in Venice, CA, one of the most bizarre and interesting guitar stores in the world, owner Mike Van Voorhees has made his own personal collection the inventory of his small business.

The Guitar Connection is a unique surprise on the up and coming Venice street of Rose Avenue.  Outside, you are instantly drawn to the pleasing vintage aesthetic, which summons you to peek inside and see what gems are hidden within its walls.  After you’ve been buzzed in by Mike, you enter – well, his living room – which has been transformed into the guitar showroom of the Guitar Connection.  See, what makes this shop truly original is that it is half-house-half-store, and everything for sale is part of Mike’s personal collection.

Once you’ve been let in, Mike watches you browse from his kitchen doorway, asking questions and adding personally commentary about certain items.  Although, and I’m sure he would agree, he is not the greatest salesmen (and his odd antics may scare off many customers), it is evident that this store and its collection are his life, and things he values very dearly.  Every instrument and amp has its own history, which Mike will gladly share with you.  A mixture of high quality and lesser instruments, The Guitar Connection inventory has all the peaks and troughs of any life long player’s collection.

Exclusively used and vintage instruments, some highlights include two Gibson “Black Beauty “Les Pauls, some rare Gibson Hollow Bodies, an original 1966 Fender Bassman amp, and some nice vintage Stratocasters – all set up and maintained by Mike.  There also some vintage 80s shredders, like Hamer and Ibanez, and a bunch of novelty curve balls that you are unlikely to see elsewhere.  Mike also buys used instruments, rents, and does repairs and set ups.  And although I can’t speak to his repair quality or expertise, I am sure he is more than capable of fixing up any axe, and has all of the knowledge and passion acquired by a life long enthusiast.

So for a unique, one of a kind guitar shop, be sure to check out The Guitar Connection @ 633 Rose Ave. Venice, CA 90291.

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“LZ-’75: The Lost Chronicles of Led Zeppelin’s 1975 American Tour” by Stephen Davis

Along with the Beatles, Led Zeppelin are the definitive “band.”  With four distinct personalities,  unprecedented success, an iconic sound, and loads of unusual behavior that have evolved into legend, LZ raised the bar for every Rock n’ Roll band to come.  Maintaining a well protected mystique during their most prominent years, few know the true story behind the world’s greatest rock band.  In 1975, LZ embarked on a North American tour that would go down in Rock history as one of the most wild and legendary tours ever.  One lucky, young journalist, by the name of Stephen Davis, was invited to join the party.

LZ had just released the now classic album, Physical Graffiti, and used this tour to promote new songs like “Kashmir,” “The Wanton Song,” and “Trampled Under Foot.”  Davis, one of the few members of the press that LZ trusted, was given a backstage tour pass, personal interviews, and a seat on the infamous Starship airplane.  His entire experience was documented in three notebooks, which Davis lost for 30 years – only to be rediscovered in 2005.  That discovery led to this book.  Unveiling some legendary events – like LZ’s stay in Los Angeles – providing honest criticism of performances, and giving insightful details about the people and environment of LZ’s world, Davis paints an enthralling picture, drawn from the eyes of a young journalist living the dream.

With many hilarious and unbelievable stories that have become Rock folklore, greatly influencing the cult classic Almost Famous, LZ-’75 is a must read for any Zeppelin fan or Rock history buff.  A relatively short and easy read, this book takes you back to a time when Rock n’ Roll ruled.  It’s hard to imagine, but in 1975 LZ were the most commercially successful band in the world – akin to a modern-day Rihanna or Katy Perry.  Dethroning the Beatles, LZ played for the largest crowd in history, and in 1975 Physical Graffiti was No. 1 on the Billboard Charts.  Davis’ tale is an insiders look on how the band members and entourage kept their sanity, and kept the show rolling amidst this unprecedented success.  From Page’s battle with a broken ring finger to Bonham’s split personality to Plant’s historic quotes (“I am a golden god!”) to John Paul Jones’ subdued English manner, Davis shows the real Zeppelin, warts and all, as they once again crossed the pond to conquer America’s youth.

So check out LZ-’75 by Stephen Davis for an entertaining and unimaginable look back at the high water mark of Rock n’ Roll!

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McCabe’s Guitar Shop – Santa Monica, CA

McCabe’s Guitar Shop is more than just another guitar shop – it’s a Los Angeles icon.  Opening in 1958, McCabe’s has been a staple of Pico Blvd for over half a century,  defending its self-declared claim to fame of having “the largest selection of stringed things to make music with in California.”  An extensively stocked shop by day, by night McCabe’s transforms into one of the most intimate live music venues in Los Angeles.  An unassuming stage in the main guitar showroom becomes a world-class pedestal that has hosted the likes of Joni Mitchell, Mike Bloomfield, Doc Watson, Jackson Browne, Chet Atkins, and many other legendary musicians.

Aside from being a guitar shop, McCabe’s specializes in acoustic and folk instruments like banjo, mandolin, ukulele, fiddle, dulcimer, oud, and just about any other ethnic instrument you are likely to want.  As for guitar, they supply an extensive list of boutique and specialty makers.  In acoustics, you’ll find amazing axes made by Martin, Taylor, Collings, the Loar, Santa Cruz, Godin, and many other high quality manufacturers.  They’re inventory ranges from entry-level to highly boutique, but you are always bound to find reasonably priced, top notch guitars.

As you can see, McCabe’s also has an extensive supply of nylon string (both classical and gypsy styled), resonator, and arch top acoustic guitars, amongst many other novelty items.  And for a shop specializing in acoustic instruments, McCabe’s has a killer selection of electric guitars and amps.  From Fender Stratocasters to Eastman Hollow-body Jazz Boxes to Gretsch twangers, McCabe’s has plenty to offer the electric aficionado.  And feel free to plug into the array of new and vintage amps from Fender, Pignose, and some other brands you’ve probably never heard of!

McCabe’s is also a great place of learning.  They have a diverse teaching staff that covers every niche guitar style, as well as auto-harp, harmonica, and other novelty instruments.  Personally, I’ve been coming to McCabe’s for years to buy books.  They have the largest selection of music books in Los Angeles.  Real Books, instructional books, scores, song books – if they don’t have it, nobody will.  And you are bound to learn something by just hanging around McCabe’s, as they are always players stopping by, exchanging ideas, and casually running down tunes.

Last but not least, McCabe’s also has a fantastic repair shop. I’ve had them do everything from setting up acoustics to changing the PUs in my Ibanez, all of which they’ve done well and in a timely fashion.  Also, don’t forget the endless supply of guitar accessories.  Any pick you could possibly imagine – finger picks, felt picks, thumb picks, copper picks, etc – and a wide selection of straps, capos, slides, and every other accessory surround the register.  It’s almost impossible to leave without buying something!

So for a little slice of historic Los Angeles, an intimate evening concert, or a trip to one of the most unique guitar shops in the world, get down to McCabe’s Guitar Shop @ 3101 Pico Blvd. Santa Monica, CA 90405.  For more information, check out the McCabe’s website.

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Vreny Van Elslande – Are you ready to Rock?

Not enough good things can be said about Vreny.  One of the best kept secrets of Los Angeles, Vreny is arguably the most professional guitar teacher in the world.  Not only that, but he is an extremely charismatic person with many diverse interests, which all combine to make him the ultimate guitar teacher.

Born and raised in Belgium, Vreny has an amazing list of credentials.  After a year in the military, Vreny first attended the Academy of Music and Word in Ypres, Belgium, completing a 10-year study on classical guitar and composition in just 7.  Following this, Vreny graduated Summa Cum Laude from the Berklee College of Music, earning a B.M. in Jazz Performance and a B.M. in Music Production & Engineering.  Since then, Vreny has lived and worked in Los Angeles as a free-lance guitarist and producer, but mainly as a teacher.  Vreny’s goal is to “make the world an even more fun place to live in, by sharing the love for music through education.”  Outside of musical academia, Vreny is also an avid psychology enthusiast, speaks five languages, and is a general intellectual, making him an expert on the art of learning.

Personally, as a guitarist and an individual, I owe a lot to Vreny.  Over 2 1/2 years, he took my playing to new heights, giving me an incredibly deep knowledge of the mechanics of music and the guitar, and a great confidence in my ability.  But more than anything, Vreny taught me how to learn.  He pushed my ability so much further than I even thought possible, and showed me, through my own progress, the way in which our brains function.  There were many times when I laughed at the impossible difficulty of a task he assigned, when only weeks later, I found it simple.  And this is not because of my ability, but because of Vreny’s structured teaching style that maximizes results and compliments the brain’s natural process of learning.  Vreny showed me how to target a goal, create a plan of attack, and reach it – a skill that I have since applied to every area of my life.  I could go on for ages, but in short, Vreny is without a doubt the most professional and effective teacher I have ever had.  If you want to learn about a certain musical style, music theory, engineering, life, or just improve on guitar, contacting Vreny is the best way to realize your goal.

So check out Vreny’s website, Zot Zin Guitar Lessons, for more information. He does private lessons, group lessons, and webcam lessons, so get in touch with him now – I guarantee you will not regret it!

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Taylor Guitars Factory Tour – El Cajon, CA

Although many of us view guitars as works of art, few of us know anything about the creation process.  Great playability, sonic characteristics, aesthetic beauty, and price are just some of the factors that guitar luthiers have to consider when creating their masterpieces.  From raw wood to completion, the nuances and attention to detail that go into the final product are mind-boggling.  I’m just glad I’m on the playing end of this arrangement!

Taylor Guitars is an American guitar company based in El Cajon, CA.  Started in 1976 by Bob Taylor and Kurt Listug, the company has become one of the most successful acoustic guitar manufacturers in the world, rivaling Martin and Gibson.  Today, Taylor production ranges from mid-level acoustics to professional quality six strings, and has even expanded to electric solid, hollow, and semi-hollow body guitars.  Some of their endorsers include Leo Kottke, Dave Matthews, Jason Mraz, Taylor Swift, Zac Brown, and Peter Sprague, and Taylor guitars have become the gold standard in modern country, folk, and bluegrass music.

One of the coolest things about Taylor Guitars is their free, daily tours of their factory.  Located in El Cajon, an inner region of San Diego County, these tours cover the entire process of the acoustic sector of production.  You start by viewing their extensive lumber collection, consisting of exotic woods like Hawaiian koa, Indian rosewood, big leaf maple and tropical mahogany.  Then, you view the shaping process, a mixture of machine and man effort to craft necks and bodies from slabs of wood.  There is a specific neck area, where fretting and sanding occur, and a specific room for inlay work on headstocks, necks and sound holes.  You also get to see the wood bending process that creates the sides of body, and the binding station, where the body parts are attached.  And of course, you get to the see the finish room, where different wood stains and varnishes are applied, followed by a final set up station.  Ultimately, you get to see the entire process of creating an acoustic Taylor guitar.  Plus, the tour ends right where it started – in the TaylorWare store and showroom, stocked with the entire array of Taylor products, ready for immediate noodling.

Probably the most different, progressive, and desirable aspect of Taylor guitars is their patented bolt-on neck technology.  To put it simply, most acoustic guitar manufacturers use a strong glue adhesive to attach necks to guitar bodies.  Over time, due to string tension, climate, and sound vibrations, the angle at which this neck was glued becomes warped, altering the intonation and action.  Because the neck is strongly glued, the only way to fix this problem is to take it to a professional and get a “neck reset,” a very expensive repair.  Aside from this inconvenience, glued necks run a high risk of snapping, and give the player little freedom in altering the playability of their guitar.  Taylor solved these issues with their bolt-on neck technology.  Instead of gluing their necks, they use a specialized neck joint and bolt system to attach necks and bodies.  This system uses special spacers to establish the perfect neck angle.  Over time, when the neck angle becomes warped, the repair procedure is greatly simplified – you just need to unscrew the neck bolt and insert bigger spacers.  Furthermore, if the player ever wants to change the neck angle or replace the neck altogether, it’s as simple as unscrewing the bolts and making the change.  A very practical and innovative solution to an age-old problem. 

Lastly, although hugely successful, Taylor is still run like a small business.  Bob Taylor is almost always present at the factory, and the faculty are very friendly and knowledgeable.  Taylor is also greatly concerned with sustainability and environmental protection.  In a business that often misuses lumber and disregards the scarcity of resources, Taylor has stepped up with the creation of non-profit organizations supporting responsible foresting, and have pledged to use responsible business and manufacturing practices.   Right on!

So if you’re in San Diego be sure to check out the Taylor Guitar Factory @ 1980 Gillespie Way  El Cajon, CA.  For more info on tours, check the the Taylor Factory Tour website and for more on Taylor Guitars, their products, and sustainability, check out the Taylor Guitar Website.

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The Mesa Boogie Hollywood Store, Los Angeles

Alas, another new section for ROW – “Shops.”  Boutique guitar shops are some of the most unique and interesting stores.  Often owned by passionate enthusiasts, each shop has its own niche specialty, and the few authentic guitar shops that remain are quickly becoming historic icons in their given communities.  From vintage rarities to custom builds to quirky items, boutique shops offer refuge for the true guitar aficionado, fed up with the mass cookie-cutter production of chains like Guitar Center and Sam Ash.  So, in the “shops” section, I’ll highlight some of my favorite authentic guitar shops from around the nation.

First up is one of the finest modern guitar shops, geared towards helping the contemporary professional – Mesa Boogie Hollywood.  As many of you know, Mesa Boogie is an American amplification company.  Started by repair man Randall Smith, the company has its roots in the San Francisco Bay Area, with original clientele including Carlos Santana, The Grateful Dead and Keith Richards.  What initially started as “hot-rodding” Fender amps turned into the development of an entirely new amp company, MESA/Boogie.  Today, Mesa Boogie is one the premier amp manufacturers, and has a wide range of products, from classic rock tubes to modern heavy metal rectifiers.  One thing that’s unique about Mesa Boogie is their authenticity.  Although equally popular as some of the name brand amp companies, (Marshall, Vox, Fender) Mesa Boogie operates like a boutique manufacturer, not supplying mass-produced gear to Guitar Center or Sam Ash.  That is one of the very reasons for the Mesa Boogie Shop Hollywood.  Directly across the street from a booming Guitar Center, this store is an understated showroom for a refined company, stocking only the finest gear for the true aficionado.

Primarily, the Mesa Boogie Store is an outlet for Mesa Boogie amps.  They keep a great selection of new and used MB amps that exemplify their entire range of product.  Mesa Boogie is a custom shop – they take custom orders, and build custom amps one at a time – so this store is sort of showroom to give you all of the potential options in person.  Aside from testing out all of the amps, they are also swatches from all of the custom finish options and great examples of all the possible customizations you could order.

But aside from being a custom shop, the Mesa Boogie Hollywood store is just one of the best guitar shops in the world.  Their pedal selection is immense. This photo features one of about 7 cases filled with boutique pedals from Xotic to Suhr to Maxon and beyond.  As for guitars, they have a huge selection of amazing axes from some of the finest boutique builders.  Nash, Suhr, Collings, Mike Lull, and Sadowksy are just a few of the great brands they always have in stock.  They also have a massive selection of accessories, featuring tubes, pick ups, picks, and a custom-length cable station.  And did I mention they also have dozens of Mesa Boogie Amps?  Basically, this store is a dream come true for any modern guitar player looking for cutting edge gear.  You can walk in, grab a great axe, a fine pedal, and plug into a world-class amp – it’s a must visit.

So if you’re in Los Angeles, make sure to check out the Mesa Boogie Hollywood Store @ 7426 W Sunset Blvd.  Also, for inventory and a list of suppliers, check out the Mesa Boogie Hollywood website – you’ll be impressed!

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Gibson Custom ES-359, Vintage Sunburst

Like a lot of guitarists, and musicians in general, I went through a period when I was fascinated by Jazz music.  Not that I don’t love and appreciate Jazz now, but during this phase I ate, drank and slept Jazz 24/7.  My Jazz guitar heroes were Pat Martino, Grant Green, Wes Montgomery, Kenny Burrell, John Scofield and Jonathan Kreisberg, to name a few, and like my idols, I needed an appropriate Jazz axe.  Eventually, I acquired the gold standard of Jazz guitars, a secondhand Gibson ES-175.  This was a beautiful, full hollow-body guitar, with black P-90s and a AAA Flame Maple top.  However, it soon grew wearisome.  It was huge, and carrying it to gigs and rehearsals was a major pain.  Also, because of the size of the body, it would feed back at even moderately high volumes, and had such a dark tone that it was hardly applicable outside of the Jazz idiom.  That ES-175 served me well on many Jazz gigs, but after a while I decided I needed a guitar that was more convenient, smaller, and could play Jazz, Rock or any other style equally well.  That’s when I came across the ES-359.

After selling my ES-175 on eBay, I had a sizable sum to put towards my next purchase, but still nothing compared to what would be necessary to buy a brand new Gibson Custom Shop guitar.  One thing I had learned was that if I was going to spend a large sum on a guitar, it had to be perfect – no exceptions.  For me, that meant it played well and looked amazing – no P-90s or AAA Flame Maple top (cool, not my favorite finish).  Luckily, I had located a Gibson ES-359 at Guitar Center on Pico Blvd., but it was out of my price range and had a AAA Flame Maple top.  Now (and especially at the time) ES-359s are both a very recent and somewhat of a novelty model, making them extremely hard to find second-hand.  Nonetheless, after quite an effort, an employee at the Guitar Center Platinum Room in Hollywood located a used Vintage Sunburst ES-359 in the computer system.  It had been returned by a dissatisfied customer somewhere in Kentucky, but he assured me that 95% of returns were not due to malfunctions, but incompatible buyers.  So we made the transaction, I got my discounted price, and about a week later the guitar arrived – flawless.

As Gibson says, “there is no truer sign of the Gibson Custom Shop’s dedication to improvement and innovation.”  The ES-359 is most closely related to the ES-339, but both are offshoots of the more popular ES-335 model, the main difference being that the “9”s have a much smaller body.  Although it still retains the tonal qualities of a larger semi-hollow-body guitar, the Es-359 comes in a much more compact package.  In contrast to the ES-339, the ES-359 is its better looking brother.  With gold hardware, Grover tuners, mother-of-pearl block inlays, and a unique neck profile most similar to the BB King signature “Lucille” model, this guitars looks and feels spectacular.  The cream binding and tortoise-shell pick guard also give it a classic charm.  One of the most unusual things about this guitar is the audio taper pots designed to persevere high-end as volume decreases, giving it “a consistently sweeter, brighter, punchier tone than other guitars of its ilk as it gets quieter.”  With two ’57 Classic Humbuckers and a three-way selector switch, this guitar can soulfully accomplish any style, from Jazz to Blues to Rock N Roll to Country.  And let’s not forget it is absolutely gorgeous.

So if you’re in the market for a semi-hollow-body guitar but want something unique, if you want a guitar for your Jazz and Rock gigs, or if you just want one of the greatest guitars made by one of the greatest guitar manufacturers, look no further than the Gibson ES-359.

For more on the ES-359 check out the Gibson Website.

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“American Guitar” with Doug Morier @ Westwood Music Center, Los Angeles

Once again, I am introducing a new section to Riffs Of Wisdom, two in fact -“Happenings” and “Players.”  One of the most significant and educational ways to progress on your journey towards musical nirvana is to learn from other players.  Whether it’s through books, videos, or a good old-fashioned face to face meeting, other musicians, more or less experienced, can teach you valuable lessons.  It’s often said that one hour of practice with another musician is worth ten alone, and you never know what kind of helpful knowledge someone might have – don’t judge a book by its cover right?  Plus, isn’t that what all this practicing is about, actually playing music?  So without further adieu, I present our first “happening” and “player” . . .

Doug Morier is a Los Angeles based guitar player who specializes in Bluegrass and Old-time American Music.  A fellow New England immigrant, I first met Doug a few years ago when I joined the UCLA Old Time String Ensemble.  Ever since, I’ve seen Doug act as the unofficial spokesman for Old-time music and all things Americana, this side of the 405.  Doug also performs his own original music, drawing influence from the aforementioned styles, and performs locally with his group, the L.A. Bluegrasshoppers.

As long as I’ve known Doug, he has always been a great teacher, totally open to revealing the secrets of the craft.  At last, Doug has created his own weekly teaching series called “American Guitar,” every Wednesday night at 6PM at the Westwood Music Center.  For those of you that don’t know, Westwood Music is one of the coolest guitar shops in the world, with an amazing staff and inviting environment – but I’ll save that for another post.  “American Guitar” will cover all the bases of Old-time American music.  Flat picking, finger style, accompaniment, basic music theory, traditional songs, and lots of licks, this class will give you everything you need to begin your quest for musical nirvana – American style.  Plus, Doug is a great player, with knowledge far beyond these parameters, who will gladly entertain any special requests, and make great recommendations for outside resources.  So grab your gi-tar and head down to the Westwood Music Center this Wednesday for an Old-time American musical education!

“American Guitar” @ Westwood Music Center, 1627 Westwood Blvd., Los Angeles CA – All classes $20 or 2 for $35

For more on Doug Morier, check out Doug’s website, and for more info on the Westwood Music Center, and their classes, check out the Westwood Music Center website.

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