Tag Archives: Ted Greene

Lollar Charlie Christian Pick Up

In the world of aftermarket Pick Ups, Lollar is a breath of fresh air.  Started by expert guitar luthier, Jason Lollar, Lollar specializes in boutique PUs for guitar, bass, and steel guitar.  Unlike most aftermarket PU companies, which are geared toward high output, modern tones, Lollar makes classic, vintage-styled PUs – using modern technology to achieve classic tonality.  Their product range is probably the most unusual and diverse of any PU company, making Stratocaster, Telecaster, Humbucker, P-90,  Jazzmaster, Charlie Christian, and “Miscellaneous” PUs.  Within these categories are many classics, like the Stratocaster Vintage Blackface, Dog Ear P-90, ’52 Tele Neck PU, and special PUs inspired by Peter Green, Johnny Smith, and Charlie Christian.  Jason Lollar also makes some unique, one of a kind PUs, like the Chicago Steel, designed for slide playing, Single-coil within a Humbucker, and “the Broiler,” which has a bell-like tone a la John Lennon.  Ultimately, Lollar is constantly pushing the boundaries of traditional PUs, creating exciting and new inventions to compliment any playing style and achieve any tone.

For those of you who don’t know Charlie Christian, he is one of the original guitar legends.  Christian was a key developer of Bebop, the language of improvisation, guitar technique, and was one of the very first people ever to take an amplified guitar solo!  He was most well-known as a member of Benny Goodman’s Sextet, one of the first integrated bands, but has become legendary for his influence at Minton’s Playhouse in Harlem – the birthplace of Bebop.  Here, in after hours jam sessions, Christian would exchange choruses with Charlie Parker, Dizzy Gillespie, Thelonius Monk, and other Bebop greats, as they developed this new style of Jazz.  Christian’s improvisational style is his greatest legacy.  Often said to be “horn-like,” Christian was one of the first guitarists to play single-note solos instead of chords, emulating the solos of a horn.  Through his single note improvisational style, Christian invented many phrases, licks, and ideas that would become building blocks for the language of Bebop.  His influence can be most strongly heard in Wes Montgomery, who learned to play by transcribing Christian’s solos.  Adding to his legend, Charlie Christian died at age 25 from tuberculosis, leaving an incredible legacy behind.

The style of the early pick ups used in the first electric guitars have become known as Charlie Christian PUs.  Preceding Humbucking technology, these PUs were single coils, but had a different sound than the modern-day single coils you would find in a Strat.  They had a depth and richness more akin to a P-90, and a unique fullness that set them apart from other PUs.  Today, Lollar makes Charlie Christian PUs designed to be housed in a traditional arch-top guitar, but their most popular CC model is designed for neck position in a Telecaster.  This is the PU I have put in my Telecaster, and it sounds amazing.  Putting a Lollar CC in a Tele achieves a deep, bluesy tone a la Ted Greene, Keith Richards, and even Jimi Hendrix.  Although you lose some of the “spank” associated with the Telecaster, you gain a new dimension of tone that is sweeter and richer than the conventional Telecaster sound.  I originally used this PU to adapt my Tele for a Jazz setting, but as I have experimented more, I find it’s a perfect sound for Blues, Rock, Pop, and Folk-Rock.  It makes my Tele sound more like a Strat, but even more harmonically rich.  The only downside was the shape of this PU required my local shop to cut my pick guard, an operation they weren’t too familiar with.  However, they learned, and did just fine, leaving me with a unique and great sounding modification to my Telecaster.

So if you’re interested in after market pick ups that will help your guitar, and your tone, stand out from the crowd, check out Lollar Pick Ups!

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Bach: Sonatas and Partitas For the Violin

Since the 1980s, the electric guitar has had a romance with classical music.  From neo-classical shredders, like Yngwie Malmsteen, to Eddie Van Halen’s baroque styled tapping, to Steve Vai playing Paganini’s 5th Caprice in”Crossroads,” electric guitarists have been fascinated by the techniques and harmony used in classical music.  Although written for acoustic instruments, distortion and amplification can breathe new life into classical pieces and add an intensity otherwise unattainable.  Also, many of these pieces are technically demanding, particularly when adapted for electric guitar, an instrument for which they obviously were not intended.  For this reason, almost every accomplished guitar player emphasizes the importance of studying and performing classical music.

Bach’s Sonatas and Partitas for the Violin are some of the most popular classical pieces for electric guitarists to learn.  Aside from being great compositions, they’re a good place to start your journey into classical music because all the pieces are written in treble clef and the violin has a comparable range to the guitar.  A collection of six works composed by J.S. Bach, this book is a great introduction to the language of classical music, covering major and minor tonalities, various tempi, different rhythmic meters, and a wide range of keys.  The most famous movement is “Chaconne” from Partita No.2 in D Minor, but you’ll be surprised how many melodies you recognize throughout all of the pieces.

And don’t think this is just applicable to modern guitar shredders!  This book was originally recommended to me by the great Jazz guitarist, Adam Rodgers, who, like many other guitarists, has spent years studying these pieces.  J.S.  Bach has also been a huge influence on Ted Greene, Joe Pass, and Tommy Emmanuel, just to name a few guitar masters.  And let’s not forget about Bach’s massive influence on music in general!  Overall, studying classical music is an amazing way to improve your technique, knowledge of harmony, compositional skills, and sight reading ability – plus, gain exposure to some beautiful music.  So follow in the footsteps of many guitar greats and get yourself a copy of Bach’s Partitas and Sonata’s for the Violin!

And now, enjoy a performance of the “Giga” movement from Bach’s Partita No. 2 in D Minor by one of my all time favorite guitarists, the amazing Paul Gilbert!

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Ted Greene – “Chord Chemistry”

As in any field of study, countless volumes have been written about music.  With the increasing popularity of the guitar, particularly in the last 50 years, a wealth of guitar literature has been established, much of it penned by the instrument’s greatest masters.  Today, many of us learn from teachers, in person, but truth be told, if we were all well disciplined, self-motivated students, we could learn everything we would ever need to know about the guitar from books.  Although it is immensely helpful to have a teacher synthesize and communicate this information, some books hold a special knowledge only receivable though the intimate reading, studying experience.

In the “books” section of Riffs of Wisdom, I will shed light on some literature that could greatly help all guitarists on their journey towards musical nirvana.  Some will be advanced, theoretical books, some will be instructional methods, some will be important collections of scores, and some will just be plain fun reads!  Ultimately, these books have helped me gain many Riffs of Wisdom, and will hopefully teach you a few too.

The first book I’m writing about is a guitar classic, and can be found in many guitar players’ bookshelves – “Chord Chemistry,” written by Ted Greene.  Although Ted wrote four significant works about the guitar, this is by far his most well known.  Ted was primarily a solo, finger-style guitarist.  He is most commonly depicted with a vintage Telecaster, and Fender amp, staples of his signature tone.  A master of music theory and harmony, Ted became famous for his intricate solo guitar arrangements, often turning Jazz standards, Pop tunes, and Beatles’ songs into gorgeous guitar ballads.  He also was well known for his mastery of the blues, on which he could improvise endlessly, implementing walking bass lines, harmony and melody.  Much like his contemporary, Lenny Breau, Ted was also well known for his use of artificial harmonics and close-voiced harmony, similar to that of a pianist.  Overall, he was an amazing, unique player – check him out on YouTube.

But more so than a player, Ted was a great student of the guitar – and as a result, a great teacher.  Ted had Asperger Syndrome, a mild form of Autism, that made him an extreme introvert and an obsessive person.  Ted hardly left his apartment (his number of public performances can be counted by hand), and his greatest obsession was studying the guitar.  He hosted a vast number of students in his guitar den, which was cluttered by stacks upon stacks of papers, many pertaining to his studies.  He would conduct in depth analyses of J.S. Bach, Wes Montgomery, and different musical styles.  He could improvise any tune in accurate Baroque styling, and had an impeccable ear for harmony.  Many students were fortunate enough to learn from this guitar master in person, but for the rest of us, Ted left four jam packed books – Chord Chemistry, Modern Chord Progressions and the two part Single-Note Jazz Soloing.  And although these books may seem thin, they are dense!

As Ted writes, Chord Chemistry “examines chords and their application.”  This is not a beginner’s book, but Ted makes an effort to bring the reader up to speed, explaining different chord types and their purposes.  The rest of the book is an attempt to translate Ted’s complex harmonic language.  Some of the most valuable sections discuss specific chord substitutions, when they are appropriate, and the effect they will have.  There is also a dense portion of the book where Ted diagrams all of the chord voicings he uses – and believe me, you would not have thought of many of these!  They are also important sections about the Blues, right hand technique, Rock progressions, and counterpoint.

Overall, this book is dense!  Don’t expect to take it all in the first time.  It’s been on my book shelf for years, and I constantly revisit it, always learning something that I couldn’t previously comprehend.  If you put in the time and effort, this book will greatly help you progress, not only on your guitar, but on your journey towards musical nirvana.

“Nobody loses at guitar if they put in the time.  Something good always shows up.  It’s all consistent with life’s big lessons.  Patience.  Determination.  Love.  Goals.  Finishing a job.”  – Ted Greene

Check out the Ted Green website for more info

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